Every project below was developed, shot, and delivered using the X3D virtual production pipeline. We don't rent out the stage. We develop the world, operate the technology, and deliver the final frame.
Drama series for Mediacorp. Disaster-scale virtual environments rendered in real time on the LED volume, from volcanic eruptions to collapsed cityscapes. Full virtual production pipeline from world-building through final delivery.
Period fantasy across multiple environments. Full Unreal world-building with practical costume, makeup, and set pieces combined with virtual environments. Every frame delivered in-camera.
Sci-fi thriller with multiple CG worlds. Real-time compositing on the LED wall, in-camera final pixels. No green screen, no roto.
Period drama spanning modern and historical settings. Virtual environments as emotional backdrop, not spectacle. LED wall used for architectural interiors and palace exteriors.
Historical period piece. Virtual set extensions and full CG forest environments rendered in real time on the LED volume.
Full driving sequence shot in-camera on the LED wall. The car is real. The road, the headlights in the distance, the rain on the windshield: all virtual. No green screen, no post compositing. The production that proved in-camera VP delivery works at every scale.
Confined-space thriller. Single Unreal environment, controlled lighting, full in-camera delivery. Proof that VP works for intimate drama, not just spectacle.
Science fiction. Full CG environments with real-time rendering on the LED volume. Practical set dressing integrated with virtual world-building.
Fantasy retelling. Practical wardrobe and props integrated with Unreal forest environments on the LED wall.
Immersive LED exhibition for the National Heritage Board. The volume as exhibition space, not film set.
Title sequence and key scenes for the Netflix original series. LED volume used for dynamic branded environments.
