The Stage
108 sqm LED volume · ARRI Alexa 35 · 7× render nodes
We built this stage to produce international-grade film and television in Singapore. 108 square metres of LED wall, cinema-grade cameras, and a render pipeline fast enough to iterate environments between takes. Every system on this page was specified by the producers and filmmakers who use it every day.
The LED Volume
In-camera final pixels. Real reflections on talent and sets. No green screen, no roto, no post compositing. What the camera sees is what the audience sees.
Overhead LED Ceiling
The ceiling wraps the virtual environment overhead, providing natural-looking top light that matches the scene. No additional lighting rigs needed for ambient. The light in the room is the light in the world.
Camera & Tracking
The camera is tracked in real time. As it moves, the virtual environment responds with correct parallax and perspective. The camera sees what the audience sees: final frame, in-camera.
Render Infrastructure
Real-time environment iteration. Change a sunset to a snowstorm in minutes, not weeks. The director makes creative decisions on set with immediate visual feedback on the LED wall.
Brain Bar
Mission control. The Brain Bar is where the technical team operates the stage during production: media servers, tracking systems, lighting control, render management. All in one room, adjacent to the stage.
Our operators don't just run the equipment. They work alongside your director and DP to adjust environments, lighting, and atmosphere in real time. One conversation, immediate changes on the wall.